Schiaparelli introduced this concept to trend with items like a sweater that includes what seemed like a shawl collar; a coat that confirmed two faces taking a look at one another, with their silhouettes forming a flower vase from 1937; and gloves with pink nail polish. “The concept of making experiences via trend, virtually like a dream, is the essence of surrealism,” says Lisby. Over time, different designers have adopted trompe l’oeil. Geoffrey Beene designed optical phantasm clothes throughout the ‘60s and ‘70s; Jean Paul Gaultier turned identified for exhibiting bare our bodies on his clothes within the ‘90s, and John Galliano utilized trompe l’oeil to his work at his namesake label, Dior, and Maison Martin Margiela for the final 30 years. 


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